a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
TO | mix media - mix medií | 150 x 80 x 50 | 2022
from left to right - zľava doprava
DØØM 0.2. | mix media - mix medií | 160 x 80 x 70 | 2022
DØØM 0.3. | mix media - mix medií | 180 x 50 x 50 | 2022
DØØM 0.1. | mix media - mix medií | 165 x 60 x 70 | 2022
HUB | ceiling - strop | mix media - mix medií | 40 x 100 x 80 | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
a look into the exhibition DØØM - pohľad do výstavy DØØM | ATELIER XIII | 2022
Therra apathy | authors: Zelina & Dranga | light and sound installation - svetelná a zvuková inštalácia | mix of materials - mix materiálov | 100 x 800 x 400 | 2021
Wax Worm | authors: Zelina & Dranga | light and sound installation - svetelná a zvuková inštalácia | mix of materials - mix materiálov | 150 x 600 x 100 | 2020
Øuroboros | authors: Zelina & Dranga | light and sound installation - svetelná a zvuková inštalácia | mix of materials - mix materiálov | 400 x 400 x 400 | 2021
Kraken | authors: Zelina & Dranga | mix of materials - mix materiálov | 190 x 41 x 41 | 2021
Apollon 1 nehráme | author: Dranga | photography and interactive lightbox - fotografia a interaktívny lightbox | 60 x 40 | 2019
Appolon 2 | author: Dranga | photography and interactive lightbox - fotografia a interaktívny lightbox | 60 x 40 | 2019
Cable-bot 2.2.3 | author: Dranga | photography and interactive lightbox - fotografia a interaktívny lightbox | 60 x 40 | 2019
Cable-bot 3.0.4 | author: Dranga | photography, fine art print on aluminum - fotografia, fine art print na hliníku | 80 x 60 | 2021
Cable-bot 3.0.5 | author: Dranga | photography, fine art print on aluminum - fotografia, fine art print na hliníku | 70 x 40 | 2021
Cable Mask 0.1 | author: Dranga | face mask - maska na tvár | mix of materials - mix materiálov | 2020
Dubcekova Jar | author: Dranga | photography and interactive lightbox - fotografia a interaktívny lightbox | 60 x 40 | 2019
Glitch | author: Zelina | mix of materials - mix materiálov | 160 | 2019
Červená karkulka | author: Zelina | acrylic on canvas – akryl na plátne | 150 x 220 | 2012
Waiting for nothing | author: Zelina | acrylic on canvas – akryl na plátne | 220 x 200 | 2011
Epic | author: Zelina | videoart | 50 minutes | 2012
wow! | author: Zelina | videoart | 47 minutes | 2017
Videoart Berlin | author: Zelina | 3 minutes | videoart | 2016

GUEST

ALEX ZELINA & RADOVAN DRANGA

Alex a Radovan tvoria objekty plné káblov, svetiel, prírodných materiálov a to všetko podporené hudbou a zvukom. Vykresľujú naše nočné mory, kde sa svet zmenil na predstavy dystopickej budúcnosti. Vytvorili si vlastný koncept. Držia sa základnej myšlienky: technológia sa nám stáva prirodzenejšou ako samotná príroda. Svet, kde sa príroda musí prispôsobiť technológiám, aby prežila. Myšlienka je ukázať, kde sa my, ako ľudstvo, môžeme ocitnúť. V dobe, keď nám technológie začínajú byť viac prirodzené, ako živé formy. Objekty sú inšpirované prírodou, sci-fi svetmi, počítačovými hrami, vizualizáciami generovanými neurónovými sieťami (AI) a štatistikami o klimatickej kríze. Stavajú fiktívne svety a živé tvory, ktorých základným stavebným materiálom je ľudský odpad. Plasty, káble, technológie… Tieto stvorenia sa riadia inštinktom a prispôsobujú sa, aby prežili. Hráme sa na bohov, ale príroda zvíťazí.

Alex and Radovan create objects full of cables, lights, natural materials, all supported by music and sound. They picture our nightmares, where the world has changed to visions of a dystopian future. They created their own concept. They stick to the basic idea: technology is becoming more natural to us than nature itself. A world where nature has to adapt to technology to survive. The idea is to show where we, as humanity, can end up. In a time when technology starts to be more natural for us than living forms. Objects are inspired by nature, sci-fi worlds, computer games, visualizations generated by neural networks (AI) and climate crisis statistics. They build fictional worlds and living creatures, whose basic building material is human waste. Plastics, cables, technology… These creatures follow instinct and adapt to survive. We play gods, but nature wins.

EDUCATION

Zelina
2008 – 2012 Painting at IV. studio of prof. Ivan Csudai, Academy of Fine Arts and Design (AFAD), Bratislava, Slovakia | 2003 – 2007 Scenic decorative painting production and reproductive painting at The secondary school of scenic arts, Bratislava, Slovakia

Dranga
2017 – 2019 Master of Photography and new media, Academy of Fine Arts and Design (AFAD), Bratislava, Slovakia | 2016 The Royal Academy of Fine Arts (KASK), Gent, Belgium | 2013 – 2017 Bachelor of Photography and new media, Academy of Fine Arts and Design (AFAD), Bratislava, Slovakia | 2012 – 2013 Private school of art and design | 2009 Centennial HS, Colorado, USA | 2007 – 2011 Pedagogic and social studies academy

AWARDS

Zelina
2019 Borealis Festival of Light Seattle, USA, finalist TOP 6 | 2019 JÓB / Debris Company, Dosky 2019, nomination in the category Exceptional act in the field of dance theater | 2019 Tatra Banka Foundation Art Awards; nomination for directing and concept of the Jób performance, the final part | 2019 TRILOGY (WOW!, ÚNOS EURÓPY, JÓB), Debris Company Bratislava | 2018 Festival of Light Berlin, finalist TOP 10 | 2017 Videomapping competition in France, finalist TOP 6 | 2017 WOW! / Debris Company, Nová Dráma festival, Grand Prix for direction | 2016 Festival of Light Berlin, finalist TOP 10 in the Art and Nature theme | 2016 Cannes Lions, 3. place for the project Hudba vs Burza | 2016 Videomapping competition in Japan, special prize of the jury for the project Cordyceps (killing fungi) | 2015 Zlatý Klinec, 3x silver prize for the project Hudba vs Burza | 2014 The Tempest – Prospero, Caliban and The Lovers / Ballet SND | 2014 Tatra Banka Art Awards; nomination for directing in the theater category | 2014 Dosky 2014, nomination for the best music | 2013 Epic / Debris Company, Dosky 2013, nomination for the best music | 2013  Tatra Banka Art Awards, nomination for concept and directing in the theater category

Dranga

2018 Biennale of Theater photography, Student category | 2018 Slovak Press Photo – The world of art and culture, nomination