FB_Ivana Kvassay_ONA_event cover po vernisazi
Sviatočná - Festive | acrylic on canvas - akryl na plátne | 160 x 68 | 2019
Na bežný deň - For Everyday | acrylic on canvas - akryl na plátne | 160 x 64 | 2019
Na nedeľu - For Sunday | acrylic on canvas - akryl na plátne | 167 x 82 | 2019
Na pole - For a Field | acrylic on canvas - akryl na plátne | 160 x 70 | 2019
a look into the exhibition She - pohľad do výstavy Ona | ATELIER XIII | 2019
a look into the exhibition She - pohľad do výstavy Ona | ATELIER XIII | 2019
a look into the exhibition She - pohľad do výstavy Ona | ATELIER XIII | 2019
Kodak | acrylic on canvas, airbrush - akryl na plátne, airbrush | 98 x 133 | 2018
Ja | acrylic on canvas, airbrush - akryl na plátne, airbrush | 103 x 130 | 2018
Pán s dáždnikom | acrylic on canvas, airbrush - akryl na plátne, airbrush | 111 x 104 | 2018
Milanko | acrylic on canvas, airbrush - akryl na plátne, airbrush | 148 x 104 | 2018
Mama | acrylic on canvas, airbrush - akryl na plátne, airbrush | 158 x 178 | 2018
Obývačka | acrylic on canvas, airbrush - akryl na plátne, airbrush | 171 x 193 | 2017
Postieľka | acrylic on canvas, airbrush - akryl na plátne, airbrush | 158 x 206 | 2017
Dom | acrylic on canvas, airbrush - akryl na plátne, airbrush | 170 x 196 |2017
Babka | acrylic on canvas, airbrush - akryl na plátne, airbrush | 165 x 192 | 2017
Dedko | acrylic on canvas, airbrush - akryl na plátne, airbrush | 175 x 189 | 2017

GUEST

IVANA KVASSAY

Ivana Kvassay sa zameriava na individuálnu pamäť a manipuláciu nielen s predlohou, ale aj so samotným formátom diela, už pri naťahovaní plátna na rám. Prispôsobením plátna k danej abnormálnej predlohe umocňuje samotný pocit aktu krčenia alebo zavesenia, ktorý je pre ňu nevyhnutný. Maľbu realizovanú technikou air brushu využíva ako záznamník na zhmotnenie dôležitých momentov z detstva, s cieľom poskladania súvislého príbehu zo spomienkových fragmentov. Momentom ilúzie sa snaží diváka vtiahnuť do priestoru maľby, ktorá ponúka hru tvarov, tieňov, lomov i odleskov. Analyzovaním svojho maliarskeho pohľadu a videnia ako takého, v realistickom rukopise priznáva prácu s fotografickým materiálom, ktorý pochádza z jej súkromného archívu, ako s predlohou.

Ivana Kvassay focuses on individual memory and manipulation not only with a model but also with the format of the work itself, already when stretching a canvas over a frame. By customizing canvas to a certain abnormal model, she enhances a feeling of creasing or hanging, which is necessary for her. She uses painting made by air brush technique as a recorder for materialization of important moments from childhood with the aim to assemble a coherent story from memory fragments. With a moment of illusion, she is trying to draw the viewer into the space of painting, that offers a game of shapes, shadows, refractions and reflections. By analyzing her view as a painter and vision as such, in her realistic manuscript, she admits working with a photographic material, that comes from her private archive, as with a model.

EDUCATION

2017 Academy of Fine Arts and Design in Bratislava, Slovakia, Painting, Studio +-XXI, prof. Daniel Fischer | 2015 Academy of Fine Arts and Design in Bratislava, Slovakia, Sculpture, Object, Installation, Studio “Flat Sculpture as well” S.O.S. (Sculpture objective – subjective), Doc. Ján Hoffstädter | 2011 Private Secondary Art School of Animation, Bratislava, Slovakia, Graphic Design