FB_Lucia Olenova_corpus anima_event cover po vernisazi
Primavera | acrylic on canvas - akryl na plátne | 210 x 200 | 2019
Objekt Corpus Anima | acrylic on canvas, sewed canvas - akryl na plátne, zošité plátno | 190 | 2019
Objekt Skelet | oil on canvas, sewed canvas - olej na plátne, zošité plátno | 80 x 40 | 2019
Skelet | ink on paper - tuš na papieri | A3 | 2019
Dvoj-skelet | ink on paper - tuš na papieri | A3 | 2019
Multi-skelet | ink on paper - tuš na papieri | A3 | 2019
Objekt organizmy | acrylic on canvas, sewed canvas - akryl na plátne, zošité plátno | 115 | 2019
Organizmy | collage on paper - koláž na papieri | A3 | 2019
Syntéza | acrylic and oil on canvas - akryl a olej na plátne | 108 x 72 | 2019
a look into the exhibition Corpus Anima and a site-specific performance of an artistic group Marína Abramovič Po Sebe Neupratuje - pohľad do výstavy Corpus Anima a site-specific performance umeleckej skupiny Marína Abramovič Po Sebe Neupratuje | ATELIER XIII | 2019
a look into the exhibition Corpus Anima and a site-specific performance of an artistic group Marína Abramovič Po Sebe Neupratuje - pohľad do výstavy Corpus Anima a site-specific performance umeleckej skupiny Marína Abramovič Po Sebe Neupratuje | ATELIER XIII | 2019
a look into the exhibition Corpus Anima and a site-specific performance of an artistic group Marína Abramovič Po Sebe Neupratuje - pohľad do výstavy Corpus Anima a site-specific performance umeleckej skupiny Marína Abramovič Po Sebe Neupratuje | ATELIER XIII | 2019
Lucia Oleňová | ATELIER XIII | 2019
a look into the exhibition Corpus Anima - pohľad do výstavy Corpus Anima | ATELIER XIII | 2019
Lucia's previous works | Bluebells | acrylic on canvas - akryl na plátne | 210 x 200 | 2019
Lucia's previous works | Green House | acrylic on canvas - akryl na plátne | 150 x 180 | 2019
Lucia's previous works | Camelia | acrylic on canvas - akryl na plátne | 180 x 200 | 2019
Lucia's previous works | Po sezóne | acrylic on canvas - akryl na plátne | 220 x 210 | 2019
Lucia's previous works | Anjel severu | acrylic and oil on canvas - akryl a olej na plátne | 50 x 40 | 2017
Lucia's previous works | Linky | oil on canvas - olej na plátne | 160 x 160 | 2017
Lucia's previous works | Až za Horizont | oil and acrylic on canvas - olej a akryl na plátne | 180 x 175 | 2018
Lucia's previous works | Black Red | oil on canvas - olej na plátne | 210 x 175 | 2019
Lucia's previous works | Dark Winter | oil and spray on canvas - olej a sprej na plátne | 210 x 200 | 2019
Lucia's previous works | Ročný kruh | oil and spray on canvas - olej a sprej na plátne | 200 x 220 | 2018

GUEST

LUCIA OLEŇOVÁ

Ako autorka nastupujúcej generácie slovenskej maľby zaznamenala výrazný posun v tvorbe počas jej nedávneho pôsobenia v Bruseli. V doterajšej tvorbe Lucie Oleňovej figuruje skúmanie metodológie a rôznych výtvarných prístupov, ktoré majú veľmi jasný zámer. Pozorovanie prírodných tvarov, štruktúry a rastu v zmysle goetheovskej morfológie autorka pretavuje do akvarelových štúdií.

Znásobovaním biomorfného tvaru vytvára rozsiahle textúry. Záujem o skúmanie anatómie ľudského tela ju privádza až k zámernej dekonštrukcii celej kompozície, aby ju mohla opätovne oživiť. Vrcholnou fázou je romantizujúci moment „vzkriesenia“ nového tela v podobe zošívanej maľby. V metafore stavby ľudskej kostry, ktorú možno v zošívaných objektoch spozorovať, však absentujú vnútorné orgány. Oleňová stavia do konfrontácie cyklus znovuzrodenia s bezobsažným skeletom ako telom bez orgánov.

As the author of the coming generation of Slovak painting, she has experienced a significant shift in her creative work during her recent work in Brussels. An examination of the methodology and various fine art approaches that have a very clear intention plays a part in Lucia Oleňová’s work up to now. The author transforms the observation of natural shapes, structure and growth in the sense of Goethe’s morphology into aquarelle studies.

She is creates extensive textures by multiplying biomorphic shape. The interest in exploring the anatomy of the human body leads her to the intentional deconstruction of the entire composition so that she can revive it again. The romanticizing moment of “resurrection” of the new body in a form of a sewed painting is the peak phase. However, the internal organs are absent in the metaphor of a human skeleton, that can be seen in the sewed objects. Oleňová puts the cycle of rebirth and a hollow skeleton as a body without organs into confrontation.

EDUCATION

2020 – 2014 Academy of Fine Arts and Design  in Bratislava, Bratislava, Slovakia, painting studio IV. of prof. Ivan Csudai | 2019 – 2018 Académie royale des Beaux- Arts de Bruxelles, Brussels, Belgium, painting studio of prof. Hubert Gauthier, (Erasmus+) | 2018 – 2017 Newcastle University, Newcastle upon tyne, United Kingdom, painting department, (Erasmus+) | 2012 – 2008 School of Scenography Arts, Bratislava, Slovakia

AWARDS

1st prize in the VUB Maľba 2019 – Painting of the Year 2019 competition,
VUB Foundation’s young artists’ prize for painting