FB event cover_Matus Lanyi – po vernisazi
Bikini VI | zo série "IHS" | oil on canvas - olej na plátne | 160 x 190 | 2016
Bikini V | zo série "IHS" | oil on canvas - olej na plátne | 160 x 190 | 2016
Popes Wife Infula | zo série "IHS" | oil on canvas - olej na plátne | 160 x 190 | 2017
Crucify Jordan! | zo série "IHS" | oil on canvas - olej na plátne | 160 x 190 | 2017
Conception of Virgin Mary | zo série "IHS" | oil on canvas - olej na plátne | 190 x 320 | 2017
Helmet | zo série "IHS" | oil on canvas - olej na plátne | 170 | 2013
Crucifix | zo série "IHS" | oil on canvas - olej na plátne | 170 | 2013
Shoe | zo série "IHS" | oil on canvas - olej na plátne | 167 x 420 | 2013
Car | zo série "IHS" | oil on canvas - olej na plátne | 150 x 450 | 2014
Shoe II2 | zo série "IHS" | oil on canvas - olej na plátne | 115 x 240 | 2016
Monstrance II | zo série "IHS" | oil on canvas - olej na plátne | 190 x 160 | 2016
The Death of Jesus | acrylic on canvas - akryl na plátne | 110 x 260 | 2007
Crucify him! | acrylic on canvas - akryl na plátne | 100 x 295 | 2007
Premenenie vína na krv | acrylic on canvas - akryl na plátne | 130 x 200 | 2006
8 Fragmentation | sheets applied on canvas - listy aplikované na plátne | 206 x 168 | 2015
Fragmentation | sheets applied on canvas - listy aplikované na plátne | 200 x 270 | 2015

GUEST

MATÚŠ LÁNYI

Nosnou témou tvorby Matúša Lányiho je kresťanstvo a ikonografia. Posolstvá náboženskej paradigmy artikuluje jazykom súčasnosti, čím dochádza k jej paradoxným významovým posunom. Premieňa kresťanské symboly a liturgické predmety na ozdoby predmetov úžitkovej potreby. Tým ich desakralizuje, zbavuje pôvodnej funkcie, no zároveň ich „povyšuje“ na atraktívne značky – reklamné brandy moderného života.

The main topic of Matúš Lányi’s work is Christianity and iconography. The message of the religious paradigms articulates the language of the present, which makes its paradoxical meaningful shifts. The premiere of Christian symbols and liturgical objects for decorations of objects of utility needs. The team desacralizes them, deprives them of the original function, but at the same time “promotes” them to attractive brands – advertising brandy of modern life.

EDUCATION

2000 – 2007 Department of Art Media and Intermedia, Faculty of Arts of the Technical University in Košice, Studio of Graphic and Experimental Work (lead by professor Rudolf Sikora and Zbyněk Prokop), Slovakia